Tuesday, September 27, 2011

Movement Training, an extremely important component of great acting. http://bit.ly/mViwA4
Meisner trained actors do not "practice," rather, each performance is an experiment that one must be ready. http://bit.ly/o0Jnel

Monday, September 26, 2011

The true character is only revealed in the process of "doing" the play. http://bit.ly/o0Jnel
Meisner Training at Maggie Flanagan includes a fully immersive experience in top notch movement training. http://bit.ly/mViwA4
"It is okay to be wrong but it is not okay if you do not try." Sanford Meisner http://bit.ly/o0Jnel

Sunday, September 25, 2011

By remaining open to the technique and having a willingness do hard work, an actor can achieve the goals they set. http://bit.ly/o0Jnel
There is an intimate relationship between the emotional life and physical expression. http://bit.ly/mViwA4

Saturday, September 24, 2011

Actors must learn how to commit to actions and dialogue quickly, deeply and truthfully. http://bit.ly/o0Jnel
Movement training helps actors become aware and open to their physical habits, postures, gestures, and body language. http://bit.ly/mViwA4
Studying, in part, is meant to eliminate the head work, so the actor is free to work spontaneously during a performance. http://bit.ly/o0Jnel

Friday, September 23, 2011

Movement Training helps actors to and use the body as a full acting instrument that can interact fully, with all the senses. http://bit.ly/mViwA4
Acting is not an imitation of life, it is a new reality created by actors who are committed to "doing," moment by moment onstage. http://bit.ly/o0Jnel
Meisner Technique is about creating imaginary circumstances in an authentic way. http://bit.ly/mViwA4
Eliminate the practice of "pretending" in acting. One of the goals of the Meisner technique is to "do" in the moment. http://bit.ly/o0Jnel

Thursday, September 22, 2011

Movement Training helps actors to use the body as a full acting instrument. http://bit.ly/mViwA4
With Meisner acting, silence can be as important as speaking and listening even more so. http://bit.ly/o0Jnel
One of the most respected techniques in the business, Meisner trained some of the most revered actors of all time. http://bit.ly/o0Jnel
The Movement Technique at Maggie Flanagan Studio was developed by master teacher, Lloyd Williamson. http://bit.ly/mViwA4

Wednesday, September 21, 2011

Emotional memory- it is the power of imagination that gives the actor what they need to act spontaneously and creatively onstage. http://bit.ly/o0Jnel
Rooted in the Meisner Technique, our Movement Training is one of the most important aspects of the program. http://bit.ly/mViwA4

Meisner Training and Emotional Memory


A series of interdependent exercises that one can work through sequentially, Meisner studies begin with simple word repetition exercises. Actors repeat a phrase back and forth, with no apparent meaning, until one of the actors feels a deep instinctive reaction to the other actor and commits to "doing" something different. While the phrases continue to be seemingly irrelevant, the emotional "listening" one does and the "doing" as they react, are key.





Other exercises use listening and observation. Actors repeat what they observe, until they can both hear and repeat what they hear. This can seem silly to the uninitiated but Meisner believed that these types of exercises are what help the actor to make real connections and genuine emotional dialogue.



To learn more about the Meisner acting and emotional memory, you can visit this page: Meisner acting and emotional memory or watch this video Meisner technique


Sanford Meisner took the idea of emotional memory and added an entire philosophy to create the Meisner technique. http://bit.ly/o0Jnel

Meisner Technique and Emotional Memory


Emotional memory has been part of method acting since it became a discipline decades ago. While emotional memory still has its place in the study of acting, Sanford Meisner, whose impact in the theatre community is legendary, took the idea of emotional memory and added an entire philosophy and systematic discipline on top of it to create the Meisner technique. One of the most respected techniques in the business, Meisner trained some of the most revered actors of all time, including Joanne Woodward, Gregory Peck, Robert Duvall, Grace Kelly, Lee Grant-the list goes on.



To learn more about the Meisner acting and emotional memory, you can visit this page: Meisner acting and emotional memory or watch this video Meisner technique


Meisner Acting- Training for the Serious Actor


With Meisner, silence can be as important as speaking and listening even more so. He believed that acting is not an imitation of life, it is a new reality created by actors who are committed to "doing," moment by moment onstage. Studying, in part, is meant to eliminate the head work, so the actor is free to work spontaneously during a performance. By remaining open to the technique and having a willingness to put in some very hard work, an actor can achieve the goals they have set for themselves by studying Meisner. Just remember another often used Meisner phrase: "It is okay to be wrong but it is not okay if you do not try."



To learn more about Meisner acting and emotional memory you can visit our website or watch this video Meisner technique.


Movement Training will allows actors to open up more physically rather than tense up as things become more challenging. http://bit.ly/mViwA4

Tuesday, September 20, 2011

Meisner Acting and Emotional Memory


Considered by many to be  the master of all master teachers, Meisner is famous for his phrase "The basis of acting is the reality of doing."  Emotional memory plays a very small part in this respected practice. Looking to eliminate the practice of "pretending" in acting, one of the goals of the Meisner technique is to help actors to learn to "do" in the moment. Actors must learn how to commit to actions and dialogue quickly, deeply and truthfully so there is no chance to focus on yourself or get distracted as you "watch yourself" act. "Doing" creates specific moments, and real people living those moments onstage. In fact, the true character is only revealed in the process of "doing" the play.



To learn more about the Meisner acting and emotional memory, you can visit this page: Meisner acting and emotional memory or watch this video Meisner technique


The Maggie Flanagan studio is committed to helping every actor become exceptional, versatile and radiant. http://bit.ly/mViwA4
Emotional memory can be used to feed the imagination. http://bit.ly/o0Jnel
Movement Training- This class helps actors prepare for and manage the intensity of Meisner Training. http://bit.ly/mViwA4
Emotional memory has been part of method acting since it became a discipline decades ago. http://bit.ly/o0Jnel